Why The Net, Kaz?

Pose references pt 17 🌈

more bases for pride before the month ends 😭😭

I don't know what I miss more, having free time to draw or these fellas

The raven cycle!!!!

Oh I love these guys. Everything about these books, I want to draw them soooo much more (I probably will)!!

Guys I'm back-

It has been a nightmare lately this is the only thing I managed to draw in weeks? Finals and uni stuff that's taking all of my time and energy, slowly turning me into a cafeinated slug (worst part is caffeine doesn't even have an effect on me? I only drink coffee for the TASTE can you imagine). Anyway the rush won't be over until end of January but hopefully I'll be able to ignore the stress and draw anyway :)

How to Make Readers Care About Your Plot

It's a funny little trick, really. Because the truth is readers don’t care about your plot.

They care about how your plot affects your characters. (Ah ha!)

You can have as many betrayals, breakups, fights, CIA conspiracies, evil warlords, double-crossings, sudden bouts of amnesia, comas, and flaming meteors racing directly toward Manhattan as you want.

But if readers don’t understand how those events will impact:

A character they care about

That character’s goal

The consequences of the event, whether positive or devastating

…then you may as well be shooting off firecrackers in an empty gymnasium.

Why Plot Without Character Falls Flat

Here’s an example:

A school burns down. Oh my god, the flames! The carnage! The dead and injured children! There are police everywhere—total chaos!

And your main character? Standing on the sidewalk, watching and crying.

Dramatic? Sure. But does the reader care? Not really. There’s no emotional connection, so it's basically a meaningless plot point.

Plot + Character Impact = Reader Investment

Now, let’s take the same event but give it stakes.

Meet Mary Ann. Mary Ann has been a middle school teacher for 25 years. This year, she gets a new student—Indigo. An unusual girl with clear troubles at home and a habit of burning things.

Mary Ann defends Indigo when the school administration wants to expel her, citing safety concerns. Mary Ann sees something familiar in Indigo—something that reminds her of her own sister, who was institutionalized as a child.

One day, Indigo explodes in rage, screaming, “Burn it down! I’ll burn this whole place down!”

Mary Ann is shaken. This isn’t just defiance—this is a real threat. She nearly sides with the administration but, haunted by her sister’s fate, fights for Indigo’s second chance.

Indigo is placed in counseling. A compromise that will hopefully solve the problem.

That night, Mary Ann sleeps soundly. She did the right thing. Didn’t she? But the next morning, on her drive to school, the radio blares an emergency bulletin. There's a fire at the school.

Mary Ann speeds through red lights. Her stomach twists. When she arrives… it’s too late.

Oh my god, the flames! The carnage! The dead and injured children!

The exact same plot point—but now it matters.

How to Make Your Plot Matter to Readers

The secret? Before you set something on fire (literally or figuratively), give your character—and thus your reader—a stake in the outcome.

1. Tie Events to Character Desires and Fears.

Why does this event matter to this character?

How does it challenge their values, beliefs, or personal history?

2. Make the Conflict Personal.

The fire isn’t just a disaster—it’s a gut-punch because Mary Ann fought for Indigo.

The outcome isn’t just tragic—it’s haunted by Mary Ann’s past regrets.

3. Show Consequences.

Readers need to feel what’s at stake before, during, and after the event.

The weight of the aftermath makes the plot stick in the reader’s mind.

The result? Higher engagement, deeper emotional connection, and a plot that actually matters.

Summary: It’s Not About the Events—It’s About the Impact on Your Characters

I used a fire in this example, but this applies to any plot development.

Even something subtle—a whispered secret, an unread letter, a missed train—can have devastating emotional weight if it affects your character in a meaningful way.

Make your readers care about your plot by making your character care about it first.

Hope this helps!

/ / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

SPECTATOR

GUYS LOOK WHAT I MADE

Hey there! I just came across this blog and im wondering if I could get some advice. I have a lot of trouble keeping motivation for a story. I'll have a new idea that im really excited about, ill write 10-20 pages of it, and then get bored of writing it. Any tips on how to keep myself invested in writing my own stories?

5 Reasons You Lost Interest in Your WIP, Plus Fixes!

It's not uncommon for writers to lose interest in their WIP. Staying on track, or getting back on track, are skills you'll acquire with time. Here are some of the reasons you might have lost interest in your WIP:

#1 - You're Not Sure Where the Story is Going. When you figure out a way into a story you're excited about, the beginning can be a piece of cake. It's all set up and inciting incident, which can be really really fun to write. But if you're not sure what needs to happen after the inciting incident, you can find yourself meandering and get bored quickly.

Fix - If you're writing a story that is plot-driven or a combination of plot-driven and character-driven (as most stories are these days), it may help to familiarize yourself with Basic Story Structure and also have a look at my post about How to Move a Story Forward.If you're writing a character-driven story, you can adhere to basic story structure or a more loose structure, but your character's arc will be the focus of the story. If you think plot and structure may be what's holding you back, you might spend time on my Plot & Story Structure post master list to read some of the other posts there.

#2 - Something Isn't Working. Stories are often like a house of cards in that one misplaced "card" can bring the whole thing crashing down. Sometimes you lose interest because an element or event didn't quite work, and you can feel in your gut that something's not right, so your brain interprets that as losing motivation. It's not really that you've lost interest in the story... it's that you've lost interest in the dead end path it's on.

Fix - Go back through what you’ve already written and look for something that’s not pulling its weight. It could be an unnecessary character dragging the story down, a subplot that is cluttering up the story or drawing attention away from the main plot, or it could be a scene/scenes that don’t add to the story. It could even be a combination of these things. If you can find it and fix it, your motivation may return.

#3 - You're Just Not in the Mood to Write. It could be that your interest in your WIP is just fine, you're just not in the mood to write. Our brains aren't always great at interpreting signals from our bodies, including other parts of our brain. The thirst signal is sometimes misinterpreted as hunger, which is why if you're feeling hungry when you shouldn't, you should try drinking a glass of water. Sometimes, in the same way, we're just not in the mood to write and our brains misinterpret that as a loss of interest in our WIP.

Fix - Consider what's going on in your life at the moment. Are you stressed? Are you distracted? Are you not feeling well? Sometimes you just need to give yourself a few days or weeks to let things resolve, and then you'll find your motivation has returned. Try doing things to Fill Your Creative Well in the meantime, or try some of the exercises in this post: Getting Unstuck: Motivation Beyond Mood Boards & Playlists

#4 - You're Overly Focused on Quality. One of the biggest WIP interest/motivation zappers is focusing too much on quality in your early drafts. If you're fixated on things like description, flow, theme, symbolism, grammar, etc. in your first draft, you're going to mentally

Fix - Remember, your early drafts should be more about getting the story down and working out the kinks. Don't worry so much about things like description, grammar, details, etc. until you've got all of that hammered out. And remember that the whole point of editing and revision is to polish your draft. You get the story down and make it pretty later.

#5 - You're Letting Yourself Get Distracted by New Ideas. The thrill of coming up with a new idea is part of the fun of being a writer. One of the pitfalls of being a writer is new ideas sometimes distract you from your WIP. We can be completely into our WIP, then a new idea comes along and our brains say, "Ooo! Look at the shiny pretty!" And off we go. Some writers, particularly seasoned ones, are able to work on multiple WIPs at once, but you should focus on one WIP at a time if you commonly lose interest before they're finished.

Fix - When you get a new idea, write it down in a notebook and/or in a document on your device. Once the idea is "down on paper," just forget about it. Imagine that it vanishes once it's recorded and you close the notebook/document. It takes practice, but you'll get better at ignoring the pull of a new idea.

Here are some posts from my Motivation post master list that might also help:

Guide: How to Rekindle Your Motivation to Write Feeling Unmotivated with WIP Getting Unstuck: Motivation Beyond Mood Boards & Playlists Getting Excited About Your Story Again

Have fun with your story!

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pls give me 1(one) reason aces have ever been oppressed, and 1(one) example of aces being a part of lgbt history(before 2004 at least) and then maybe i’ll consider the idea that aces belong in the lgbt community lol

hi! I’m always looking for character design sheets/questionnaires to fill out for my characters, but I rarely find any I like. do you happen to have any suggestions?

Character Design Sheets/Questionnaires

(And My Alternative...)

While I think character design sheets/questionnaires can be fun to do, I also think they’re unnecessary and a bit of a time sink. After all, your character’s favorite kind of pizza won’t tell you much about who they are as a person, and probably doesn’t affect the plot at all.

In terms of fleshing out a character, I actually find it much more valuable to focus on the important things: Basic Biographical Details

Full Name: Nickname: Date of Birth: Gender: Description: Background Information Birthplace: Back Story: Current Residence: Occupation: Skills: Hobbies: Additional Details (If Applicable)

Aliases: Species: Powers: Crimes: Charges: Accomplices: Affiliation: Relationships

Parents: Siblings: Extended Family: Significant Other/s: Exes: Closest Friend: Friends: Coworkers: Classmates: Housemates:  Neighbors: Impact Traits

Positive Traits: Negative Traits: Emotional Wound: Internal Conflict: Pre-Story Life Goals: Pre-Story Life Goals Motivation: Story Goal/s Story Goal/s Motivation: Stakes: Voice: Arc:

Fun Details

Quirks & Mannerisms: Hopes & Dreams: Likes & Dislikes: Clothing Style: Pet Peeves: Those are most of the big ones I worry about. Ultimately, if it doesn’t impact the story, character development, or truly help you understand who this character is, it’s not really important.

I hope that helps! <3

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Have a question? My inbox is always open, but make sure to check my FAQ and post master lists first to see if I’ve already answered a similar question. :)

The New Republic

Trump Wants Snitches to Report on DEI. There’s Just One Problem.

Donald Trump wants people to expose diversity, equity, and inclusion efforts in the federal government. The idea is already flopping.

The threat was loud and clear: Report your so-called “DEI” employees or else. What exactly “DEIA or similar ideologies” means is up in the air, but the message was out there. And so was the email address of the DEIA snitching hotline. Fake emails quickly started to roll in. ‘I don’t care, fuck these McCarthyite bastards,” one BlueSky user said, with an screenshot attached of an email to the hotline where he ironically reported Donald Trump and JD Vance for being “put in their positions solely because of their race and/or gender despite the fact that they are wholly unqualified for their jobs and, in some cases, have criminal records.” “Anyone have a script to fire off a billion e-mails an hour??” another user asked in the replies. “Anyone can email anything of any size even if it crashes the site,” one X user noted. The scope and effectiveness of this latest phase of Trump’s anti-DEI crusade remains to be seen.