I Made A Live-action Movie Poster Of Dragon Ball Z using AI-generated Images and Photoshop.

FAUAP : AV4-DFUFO6G95

 The image, captured by an aviator at a significant altitude, features a UAP bearing a characteristic flat disk shape. The most notable elements are the two light sources below the UAP, creating an impressive glow against the vast sky. Above the UAP, a spatial distortion manifests as a haze, adding an extra layer of intrigue to the scene.  Under the sunlight's illumination, the UAP exhibits a reflective quality, making it appear as if composed of smooth metal. This feature, along with the overall design, becomes strikingly clear in the high-quality picture, implying the possible existence of advanced technology.  This photograph remained hidden from public view until the data from the promptyper was leaked. The image, originally preserved as film, was printed for digital archiving by the promptyper, before being digitally scanned. The later leak of this data introduced this intriguing photograph into public knowledge, sparking speculation and excitement around its origins and implications.

Monster The Movie : Johan Liebert

 I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.

 I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.

 Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.

 Johan was a very unique character. I felt creepy and pity for his actions at the same time. Is evil made or is it born? It's easy to blame those who create evil. But if someone is born as evil, who is to blame for it? he was a character that made us ask these questions.

FAUAP : AR5-ZEE-N959

 This photograph, captured in September 1995, depicts a rural scene in northern Europe. Visible in the distance are several farm buildings. A small forest is present closer to the viewer, while mountains appear on either side of the scene. The picture was taken using a Kodak Ektar 100 film.  What distinguishes this image from a typical landscape photograph is the presence of an unidentified aerial phenomenon (UAP) in the sky above the scene. The UAP appears stationary and is of a discernible, aerodynamic shape. It is set against a clear sky, with an array of light rays extending from or towards it.  Some observers have speculated that the rays could be the result of a trick of the light or some form of photographic manipulation, such as the use of glass plates or paint. However, these theories are questionable given the properties of the photograph.  The Kodak Ektar 100 film used is renowned for its fine grain and high-resolution output. Any form of manipulation would likely have caused inconsistencies in resolution, which are not evident in the image.  Therefore, based on the evidence in the photograph, it appears that neither the UAP nor the mysterious light rays are the result of photographic trickery. This adds a level of mystery and intrigue to the photograph and invites further examination and interpretation.

FARAS-1947 : 

Extraterrestrial Spacesuit Helmet Recovered from Roswell UFO

July 30, 1947

 This is a summary from the leaked FARAS-1947 document, which covers a different type of helmet than mentioned in the previous report.

 The helmet, distinctly larger and more streamlined than the previous one, is characterized by its robust, chalky white exterior. Unlike the previous helmet, which featured a large, transparent visor for easy observation of the surroundings, this helmet is equipped with a considerably narrower visor in the frontal area, suggesting a greater emphasis on functional attributes such as protection and internal heads-up display (HUD) capabilities.

Specification Analysis:

 This helmet's design and features could indicate that it was used for more specialized activities, potentially combat. The narrowed visor and the presence of the internal HUD suggest that it was built to prioritize user safety and information feed in high-risk situations.

 The connector terminal on the left side could be used for attaching various equipment or accessories, although without the actual components for examination, the specific purpose of this terminal remains speculative.

 Aliens appear to have tried to thoroughly destroy accessories connected to the helmet terminals and hide or dispose of helmets if possible to comply with their own technology leak prevention protocols.

Conclusion:

 The discovery of this advanced helmet adds another layer of complexity to the ongoing FARAS-1947 investigation. Its unique features hint at a more specialized use, possibly combat-related, underscoring the technological prowess of the extraterrestrial civilization that created it. Further studies and continued analysis are required to fully understand the nature and purpose of this artifact.

 I made a Live-action movie poster of Dragon Ball Z using AI-generated images and Photoshop.

 This is a fan art. I also hope this legendary manga to be made into a live-action movie. Rather than filming an actor's acting, I think we need CG that cannot be distinguished from the actual situation. Like Avatar and Alita : Battle Angel, for example.

 I think Bulma has shown a versatile and capable woman image in Dragon Ball series. The technologies she uses, such as miniature capsules (Hoi Poi Capsules) and Dragon Ball Tracker, were extraordinary, and it was a great pleasure to see them work in animation.

 And Bulma was one of the first characters to introduce me to the concept of "pretty woman" at the time. Let's stop discussing whether this is okay. We'll find out about this one day anyway and find it ourselves. Animation just moved it up a few months to a year. Ha Ha.

FAUAP : PH7-MUFO9F97

 The photograph, taken in the late 90s, depicts a scene within a military unit in the Philippines. The locale, densely populated by trees, makes sky views limited. A massive UAP floats stably in the air, its size dominating the image. Below the UAP, a pipeline-like structure extends, connecting to a station on the ground, lending the scene an appearance of a refueling operation.  Given the elevated viewpoint of the photograph, one might surmise that the image was taken by someone aboard the UAP. This assumption lends credibility to the theory that this UAP could be of human design.  The UAP's structure appears reminiscent of a type of Japanese bread, topped with a small spherical dome at the bottom that could potentially serve as an observational window to the ground. Small antennas, extending from the structure, further lend to its man-made appearance.  Given the clandestine setting and lack of additional information, the photograph opens up a wide array of speculations and interpretations.

Monster The Movie : Kenzo Tenma

 I made a live-action film poster for Naoki Urasawa's original manga <MONSTER>.

 I was quite young when I saw this manga, so I didn't fully understand what it was trying to say besides the overall story. Rather, after I grew up, I was able to recall what this manga was about.  Naoki Urasawa draws manga in a very realistic style, but at the same time it is exquisitely streamlined. As for what his painting style will look like when it is composed of realistic images, I think someone could still have gotten better results.

 Kenzo was portrayed as a good-natured person, and I thought he represented the general public. Peaceful times, the masses who usually live a normal life just trying to look good for their boss, but when they find out someone is plotting an evil plan, they go out of their way to smash it.

 Kenzo enlists the help of other populace around him, and he works to crush the great evil he is unable to counter. He is supported by the public like himself, and at the same time chased by the public like himself. All the while, Absolute Evil controls them all and quietly grows in power.  Actually, I'm not sure if I understood it well. :D...;

In 2035,

Great United States of America is ruled by AI.

You can't pay a fine to a machine or something.

Freedom warriors begin to rebel.

I created a simple image with stable diffusion and then composited it in Photoshop. It was a fun job.

original ai image

BioShock The Movie : Big Daddy Fan Poster

 I chose a low angle to portray Big Daddy's menacing look, and a leak in progress to portray Rapture's precarious appearance. The expression of splashing water was added with Photoshop. LoRA seem to have worked and did almost everything. I like this Big Daddy design, which is a little taller than the previous original design, as it seems to be suitable for a live-action film.

 If there was one problem, it was not easy to get the Little Sisters into the right places. I just composited her in photoshop. Composite quality doesn't seem very good. Still, I'll have to be content with this.

 BioShock was a big turning point for me. I started with a surprise about computer graphics, and the twist at the end is really the best I can think of now. I hope this work will be made into a great live-action movie someday.

little 3D effect on it. :D